Category: Review (Page 1 of 7)

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How Haunted? review

Rating –

How Haunted? logo

I stumbled across this podcast quite by accident recently on twitter. Somebody had complained that despite the early episodes being interesting, they were now too horrible and gratuitously gory. What more reason to subscribe did I need? Much like being young and trawling the Radio Times for horror movies to watch, I quickly realised that the ones that got two and three stars out of five were the best ones. Was I wrong in my assumption though? Read on and I’ll tell you.

So what’s it about?

How Haunted? is a paranormal podcast by Rob Kirkup, a ghost hunter based in Newcastle. That’s Newcastle, England, and not one of the other namesakes scattered across the former colonies. I wouldn’t normally bother with such clarification, but according to Google analytics, the majority of my meager readership is based in the US.

Each week he examines a different location from across the British isles, although owing to his location, there is a higher proportion in the north of England and Scotland. There is a lot of research involved in every episode. Even with well known locations, there is plenty of new information (for me at least) that adds much more depth to the locations rather than just repeating all the well known tales.

Is it any good?

Well, yes and no. I’m a big fan of paranormal podcasts, particularly ones that avoid needless hyperbole. Haunted Road springs immediately to mind as a good comparison to this show. Maybe get in touch with Amy Bruni in the future to swap stories?

Having said that, there are some parts of the stories discussed that really set my Sceptic-o-meter® buzzing. I do believe in ghosts, and I’ve had many strange experiences, but some stuff here has me asking questions about the validity of some claims. Unfortunately some events get glossed over with not much in the way of efforts to debunk, and some of the reports had me thinking, “yeah, but did that really happen?” To be honest, this doesn’t happen with Rob’s stories, but in the interviews with other people.

There are also some episodes that verge on being history lessons, with some ghost information tacked on at the end. In fact, the episode on the Colosseum in Rome doesn’t actually have any ghost story attached if I recall correctly. That’s not to say that it isn’t interesting, it absolutely is, but to say that a building is one of the most haunted in the world and then not offering up any actual paranormal information seems like a bit of a bait and switch.

Final thoughts

I really like this show, and because I usually listen to four or five different podcasts a day, I’m not as far through this one as I’d like to be. I really am looking forward to hearing how this develops as it goes on though.

When I was younger, I found a video called Billy Roberts Investigates The Paranormal. It was a low budget affair with Billy traveling to various haunted locations and seeing what was there. The investigations were interspersed with interviews, and despite being very low budget, and not what I was expecting, it was rather interesting. This podcast reminds me a lot of that. Don’t take that the wrong way Rob!

I think that nowadays, there is a real push for paranormal shows, and by extension ghost walks and suchlike to offer some “bang for your buck”. That way lies the path to “creating” a haunted experience. Every paranormal investigator I’ve heard says that a lot of the time absolutely nothing happens. I love that. Especially when they visit somewhere where the walls are supposed to drip blood and your hair will turn white with fear.  The contrary part of me loves for the final report to be “absolutely nothing happened”.

If you are into paranormal podcasts though, this is definitely one you should check out very soon, particularly if, like me, you grew up on the Usbourne ghost book and the multitude of similar tomes that filled the libraries of the 70s and 80s.

You can get How Haunted? here:

https://how-haunted.com/

Or wherever you get your podcasts.

The evil that men do

Root Of Evil review

Production company – TNT/Cadence 13

Rating –

Root Of Evil logo

Originally, I subscribed to this series because it shed new light on the “Black Dahlia” murder. Surely one of the great murder mysteries of the 20th century. What I got instead was so much more. And so much that I wish I didn’t know. I feel I should warn you from the outset though. Although I won’t go into any great detail about the events in this series, if you do want to listen then there is plenty that people will find very upsetting indeed.

So what’s it about?

On January 15th 1947, the body of Elizabeth Short was discovered on a patch of waste ground in Leimert Park in Los Angeles. She had been brutally murdered and mutilated. The horrific nature of the killing sparked national interest in the murder and she quickly became dubbed The Black Dahlia. Despite the highly publicized nature of the murder, no suspects were ever arrested.

Root Of Evil is a podcast presented by Rasha Pecoraro and Yvette Gentile. They are the great-granddaughters of a man called George Hodel. He was a well known doctor, and friend to the bohemian artists that congregated in Los Angeles in the 1930s and 40s, including the legendary surrealist Man Ray and director John Huston.

George Hodel is also a suspect in the murder of Elizabeth Short. His involvement in the murder is the result of an extensive investigation by his own son, homicide detective Steve Hodel. He originally investigated the murder to exonerate his father’s involvement. But as evidence mounted, the odds looked stacked in favour of him being the killer.

As Rasha and Yvette delve into their family history, they uncover stories that have affected generations of the family to unimaginable degrees. When you hear the tales of growing up as a part of the Hodel family, it becomes almost too much to hear.

Is it any good?

If you’re interested in this sort of thing, then yes. If you get upset or triggered at stories of murder, abuse and other such unsavory practices, then stay well away. Seriously.

The podcast really is two stories in one. You have the direct effects of George Hodel on his family, and how they have tried to overcome the very long shadow of his crimes against them. The other side is the work that Steve Hodel has done in researching the murder of Elizabeth Short, and how that connects to his father.

Both sides are very well researched, and no punches are pulled. Soon a picture is painted of a deeply disturbed man that started generational waves of misery down the family line. The all too familiar (nowadays at least) methods used by influential to escape scrutiny and justice is also revealed

Final thoughts

This was a grueling listen in a similar vein to Hunting Warhead. The fact that one man’s evil deeds can impact so many generations of his family is unbelievable, it should be unbelievable anyway. Unfortunately it isn’t.

The final episode was both heartwarming and heartbreaking, as the grandchildren met up for the first time in decades to discuss how they have tried to rebuild their lives in the face of terrible life experiences.

In the interest of fairness, I do need to point out that while there is no doubt that George Hodel was a disgusting individual, he was never charged with the murder of Elizabeth Short. Not only that, but there is a very long list of suspects indeed. The evidence that Steve Hodel has uncovered is certainly compelling though…

You can get Root Of Evil wherever you get your podcasts. No link this week I’m afraid, there doesn’t seem to be any link available direct from the Cadence 13 website. Instead, I will include a link to Steve Hodel’s website about his research into Elizabeth Short’s murder:

https://stevehodel.com/

Three strikes and I’m out

Fear review

Production company – Realm

Rating –

fear logos

A bit of a different post this week. Something of an epic undertaking that hopefully will work. I don’t think I’ve ever reviewed three podcasts at once, there is however a reason for this. I listened to Roanoke Falls when it was first released, and never got round to reviewing it. Rather than following on with something similar, Series two was called Black Friday and departed from the original style altogether. Series three, called Beatrix Greene, was another curveball. My thoughts on all series were similar, so I figured I’d tear all three plasters off at once. So buckle up, this may be a long ride.

So what are they about?

Series one, entitled Roanoke Falls, is a fictional retelling of the events at the eponymous American settlement in the 17th century. In real life, nobody knows what happened there other than the entire population “disappeared”. I put that last bit in inverted commas because obviously back then there was a huge delay in communication and travel. Needless to say, time has turned these events into a rich source for folk horror and conspiracy. 

The story takes place in the second Roanoke settlement, the villagers are desperately clinging to their faith in the face of disappearances, allegations of witchcraft and murder. It follows the downfall of Agnes, the wife of village priest Thomas. She finds a diary of one of the women from the original settlement of Roanoke, an outcast during a plague, who apparently placed a curse on the village. These events seem to eerily mirror what is happening to the villagers in the new settlement. Sightings of a tall man with a skull face are causing tensions within the community. Agnes faces accusations of being a witch, even from her own husband. The body count rises, and the truth is exposed.

Series two, entitled Black Friday is a “comedy” horror podcast. I got to about 2 minutes in and realised I was not going to like this series at all. In the interest of fairness though, I gritted my teeth and ploughed on.

This follows an eccentric group of shop staff, who are stuck in work during Thanksgiving. A group of demons get summoned by a ritual for a job promotion gone wrong, the hapless employees struggle to fend off the gruesome demonic foes.

Series three, follows fraud medium Beatrix Greene. She takes a challenge to investigate a notoriously haunted house. As is the trope for stories such as these, she soon realises that she has bitten off way more than she can chew, and the party of brave investigators is in grave danger indeed (pun slightly intended).

This story has so many references I can’t count them all. Way more than season two, and more subtly done as well. There were points where I wondered if I’d heard it before. It’s like ghost story bingo, but not in a bad way.

STEEEERRRRIKE ONE!

roanoke falls logo

Roanoke Falls is a good attempt at folk horror, particularly films like The Witch, but it never quite hits the mark. I’m not sure exactly what it is. Possibly the strange way that the story is told. It’s not wholly a drama production, and not a narration either. It’s somewhere in between. For me it doesn’t work.

The acting isn’t great by any means, despite their best efforts. The blacksmith in particular seems to be incapable of portraying anything approaching real emotion.

The story itself is not so bad, it’s a nice concept, despite the weird way it’s told. As the story winds up, there is a nice “circularity” that seems to tie things up, only to veer off in a remarkable twist that reminds me instantly of the film “The Boy”.

By god do they like their adverts. Each 20 minute episode has 4 advert breaks, including one right before the end credits. I knew there was something that really irked me about this series, but it wasn’t until I re-listened before writing this that I remembered.

STEEEERRRRIKE TWO!

black friday logo

Black Friday casts a wide net. Taking diverse inspiration from modern slasher films, particularly Hellraiser, and comedy series like The Office, this is like a pick ‘n’ mix of references, with too many winks to camera at how they jammed all the horror references in.

Again, the acting isn’t great, although I suspect that in this case it isn’t supposed to be. It has more chewed scenery than Crufts, and the characters follow every cliche so beloved of modern horror. There’s the stoner slacker, the over eager yet overlooked management wannabe and the sarcastic cynical knowitall who only puts up with everyone else because she ultimately has nowhere else to work.

Calling this series a “comedy horror” is something of a con. It is neither funny nor horrific. Apparently the writer was inspired to write this story after working one too many thanksgiving shifts at a store. Whereas some people can pull this off (Kevin Smith, for example), this is just a grab bag of tired clichés and predictable characters.

Definitely my least favourite of the three.

STEEEERRRRIKE THREE!

beatrix greene logo

More tropes on the way in this series. The plucky tomboyish Beatrix Greene has made something of a name for herself as a fraudulent medium. It does an ok job of setting the scene, but it’s more “Houdini and Doyle” than “Carnacki”. They even slipped a “Do you see?” in there, but I’m not sure if that was intentional or not.

This, like season one, has a strange way of narrating the story that I’m not too keen on. Like Roanoke Falls, it is 50% narrated, 50% acted. The problem is, is that the narration switches from Beatrix narrating, to sceptic James Walker (her nemesis at the beginning of the story). This gets rather confusing, especially where there is some overlap in the plot. I wonder whether this is done for any reason other than trying to be deliberately clever.

This is one moustache twiddle away from silliness. It does it’s best to cling on to the coat-tails of Shirley Jackson and William Hope-Hodgson, and to be honest, this was my favourite season so far. I say favourite, what I mean is that I didn’t lose interest before the halfway mark and feel like I was slogging through it just to write a review. The story is the most derivative of the three, even more so than the first season. 

Maybe it’s the 1920s setting I like, but despite this, it’s still not enough to rescue the low rating here.

Final thoughts

Maybe I’m getting old and grumpy (I know I’m getting old and grumpy), but I can honestly say that every few episodes, I was wondering whether this was worth it. Should I stick with this podcast just for the sake of writing what I knew deep down would be a rather scathing review. As season two got underway this feeling got stronger. I’d already started writing this though, and I was rather pleased at the thought of a triple header. Also, I tend to review podcasts I like, so I felt I needed to take one for the team so to speak and suffer through.

Mitch Hedberg had a joke that went “The other day, I walked into Target and missed. I think the entrance to Target should have people splattered all around.”

Unfortunately the entrance to “the good podcast list” has Realm podcasts splattered all around.

As I finish this rather long winded stream of consciousness, they are currently three episodes into season four. Honestly, I can’t bring myself to start it.

You can get the Fear series here if you really want to:

https://www.realm.fm/

Or wherever you get your podcasts 

Protect and serve? Yeah right.

A Tradition Of Violence review

Rating –

A Tradition Of Violence logo

Sitting in my house in Britain, despite ridiculous amounts of government corruption and ineptitude, I am usually thankful that I don’t live in America. No offense to my American friends, they seem to have the same problems, but with the added threat of gun violence.

Being a cop in the USA, must be an awful job, facing real danger of death at every call. Journalist Cerise Castle has changed my opinion somewhat though. Allow me to explain.

So what’s it about?

Residing in the LA Sheriff’s department are a number of organized police gangs. These gangs are no different from the criminal organizations the police are sworn to stamp out. Tales of extortion, theft, and even murder are rife, and seem to be endorsed from the highest offices in the state.

As with criminal gangs, these groups of Sheriff’s deputies have scary names and all sport tattoos showing their commitment to each group. Whilst mostly white males, these gangs also recruit a number of ethnic groups to avoid being tagged as “white supremacist”. Having said that, there are some who are actual white supremacist groups (I mean, of course there are right?)

This podcast dives into stories of these gangs, and no punches are pulled. The stories and language are graphic and awful. It’s mind blowing to me that this goes on in the 21st century.

Is it any good?

Again, this is one of those podcasts I’m loath to describe as “good”. It’s a brilliantly written and researched podcast, and it’s absolutely necessary to shine a light on this behavior. For the most part though, the series is heartbreaking and rage inducing in almost equal measure.

As if the stories are not bad enough, when the deputies concerned actually make it to court to face justice, they invariably get off. The court costs? Picked up by the taxpayer. The Los Angeles taxpayer it seems is the LASD’s piggy bank to cover any legal costs they may get bothered with.

You may wonder why this is allowed to continue, why the people in charge don’t stop this. Well, the people in charge are also gang affiliated. Because of this, it makes it very hard for anyone else to move in and clean things up. I sincerely hope that this is a situation that can change. 

Final thoughts

This is a hard hitting and harrowing series that attempts to shed light into the corrupt inner workings of the Los Angeles Sheriff’s Dept. I appreciate that the stories told here may not be for everyone, but I do urge you to listen to it despite this.

Of all the possibly triggering podcasts I’ve reviewed, this ranks pretty low on the list, for me at least. Sometimes you have to leave your comfort zone though. Real life isn’t all sweetness and light, and stories like this need to be told.

I would hope that if enough people listen to podcasts like this and cause enough of an outcry, then maybe things could change. You may say I’m a dreamer. But I’m not the only one.

You can read more about it, and find podcast links here:

https://knock-la.com/tradition-of-violence-lasd-gang-history/

Or wherever you get your podcasts 

Let’s twist again

Run, Hide, Repeat review

Production company – CBC

Rating –

run, hide, repeat logo

As you may no doubt have noticed, I’ve been on something of a true crime binge recently. This one cropped up and the trailer sounded interesting, so off I went and subscribed. What I got wasn’t anything like what I was expecting though. Despite how I have tagged this post to improve those dastardly SEO algorithms, I wouldn’t call this a strict “true crime” podcast. By the time I was about halfway through the series, I knew that this review was jumping the queue of half written ideas in Google docs, and being the next post on this blog.

So what’s it about?

Run, Hide, Repeat is a true story told by CBC journalist Pauline Dakin. Told over five episodes, this is a small yet perfectly formed series you could binge in a day easily.

The situations she experienced during her childhood were almost beyond belief. I would go so far as to say “singular”, but by the time the series ends, it seems to be a more common occurrence than anyone could guess.

After her parents divorced, Pauline’s mother met a preacher called Stan Sears. A man who seemed to offer comfort and counsel to the family. Before long though, things change and Pauline’s brother and mother, together with Stan are moving across the country, never staying in one place very long.

While young kids are quite happy to go along with whatever their parents say without question, after a while questions are asked, particularly when things stop adding up, and the answers are shocking. The reasons given are enough to shake the family to its foundations, and nothing it turns out is as it seems. That is twist number one. At this point in the story it is a very gripping tale of cat and mouse, and stress levels on the family are obviously very high indeed.

You may notice I said “twist number one”. Believe me there are more twists to come. Yes, I am being deliberately vague here. I don’t want to give anything away at all, not that you’d believe me if I told you.

Is it any good?

Absolutely. If this was a work of fiction, it would be brilliant, and yet unbelievable. The fact that this actually happened is both gripping and tragic. Not tragic in the way you may be imagining as you read this, but I can’t think of a better way to describe it. Each twist brings its own tragedy, and yet Pauline and her brother made it through. 

Final thoughts

As I write these blog posts, I’m not sure how many people actually go and listen to podcasts based on my reviews, or whether they read these after listening so they can scoff and call me a moron. By rights, this review should be about 150 words longer than it is, but I don’t want to give any clues or spoilers at all.

If you haven’t listened to this one yet, then do so. Immediately. It’s an outstanding story and I guarantee you’ll love it.

You can get Run Hide, Repeat here:

https://www.cbc.ca/listen/cbc-podcasts/1340-run-hide-repeat

Or wherever you get your podcasts.

O Trawlerman. O Judge

The Silt Verses review

Production company – Rusty Quill

Rating –

The Silt Verses logo

I usually have some idea of what I’m getting myself into when I subscribe to a podcast. It’ll be recommended by a friend, or I’ll hear an interview on another podcast. I went into this one completely blind. The name sounded interesting, but I honestly don’t remember hearing anything about it at all. This made for a rather interesting experience, and I’ll tell you all about it here.

So what’s it about?

The Silt Verses is a rather “folk horrory” series. At first it seems to be set in an indeterminate country in an indeterminate timeline. At a guess, it’s America at some point in an alternate present or future. I’m only guessing that because of the voice actors, and the fact that they have modern tech like mobile phones. These are details that are almost irrelevant though. The point of the story is the sheer weirdness of the events. There are strange religions, odd people and sinister antagonists. Did I mention strange religions? There are LOTS of strange religions.

The story follows pilgrim Carpenter and her young partner Faulkner. They follow the faith of The Trawlerman, a river god of water and silt. Carpenter’s grandmother was highly regarded in the faith, and Carpenter has that same ego so beloved of people who trace a lineage back to something important. 

As their voyage continues they meet many allies and enemies. There are strange symbols carved everywhere, and horrific creatures lurking in places both magical and mundane.

The pagan ways of the populace are pitched against followers of The Saint Electric and similar deities, truly modern gods for the technological age. Everywhere they go they meet people who follow different gods, and there are gods of everything.

Is it any good?

On the whole, yes. There are a few niggles here and there that stop it being a true “five brainer”. My main problem is that whilst the acting is top notch on the whole, there are a few cast members who let the rest down. There are also parts of the story where it is obvious the cast were recording at different times, and on different equipment. You can hear the cuts in the audio and this really distracts, particularly on headphones.

As the first series progresses, I found myself enjoying the exposition episodes more than the main thread. Don’t get me wrong, the main story is great, but there’s only so much bickering I can take. I get it, the young one thinks the old one is out of touch and the old one thinks the young one is an idiot. That’s life. The backstories though are so brilliantly written, particularly Paige’s corporate history. That is like an episode of Black Mirror.

As I have said in past reviews, the term “Lovecraftian” gets bandied about a lot nowadays, and is a badge usually hung on anything that is a bit weird. I think this podcast truly is Lovecraftian though. The whole thing has a dreamlike quality that is simply delightful, due in part to the ambiguity of the setting. The only thing we have to go on as far as dating is that it takes place “after the last great religious war”. I also loved the episode about the god of hunger. That was a nice, ambiguous concept that offered a nice (albeit no less gruesome) contrast to the more physical horrors encountered in the story.

Final thoughts

When I first started this review many months ago, it was a three brain show. At that point it was nothing more than a title and a rating. I recently revisited it to refresh my memory as to why I gave such a low rating and decided it was worth five brains. Taking everything into consideration though, it is a solid four.

If you like Neil Gaiman, H.P. Lovecraft, or Charlie Brooker, then you will love this show.

You can get The Silt Verses here:

https://www.thesiltverses.com/

Or wherever you get your podcasts

Campfire tales of terror

The Historical Natives review

Rating –

The Historical Natives logo

I first heard of this show whilst listening to a podcast about the awful stories of residential schools of Canada. Whereas that show was about the more corporeal type of awful monster, this show is very much folklore based. After sitting patiently in my “unplayed” list of podcasts, I decided it was time to do The Historical Natives revie

Now the more hawk-eyed among you may think that the low score you see above is an indicator of a bad podcast (as it usually is). Please read on though, and let me explain my decision.

So what’s it about?

The Historical Natives is a folklore podcast in the vein of Uncanny Japan. Each bitesize episode covers a different creature from first nation folklore. These run from the well known (Sasquatch and the Wendigo), to the equally terrifying, though less well known Walking Sam or the Stick Indians. These creatures are not exclusive to single tribes either, but are known by many names and descriptions across the entire continent. A prime example here would be the sasquatch.

The hosts are MacKenzie Taylor and Josef Stafford, two self confessed, albeit recently converted horror fanatics who grew up in a small village in the wilds of BC. The strange thing was, it wasn’t even a “true” horror film that sparked this journey off, but Wayans brothers spoof Scary Movie. I’m not gatekeeper enough to care how people get into horror though, it’s the destination not the journey that’s important.

The second half of each episode gets a story written by Josef on the aforementioned creature. It is also is a language lesson of sorts where the hosts teach you a new word from the relevant dialect of the tribe featured in the episode.

Is it any good?

It could be very good, easily as good as Uncanny Japan, but it is ultimately let down by the hosts’ inexperience. Mackenzie and Josef started this show using a grant from a business initiative for First Nations people. This is a great idea, because sometimes (as it is here) there are people capable of producing great content who wouldn’t normally get a chance.

Having a microphone and a means to upload audio is only half the story though. The room they record in is not really suitable for the job. Some heavy blankets hung around the place would probably help no end. Unfortunately it sounds like they are sitting in a kitchen, recording the podcast to a mobile phone.

Also you can really tell the whole thing is written down first. There is nothing inherently wrong with this, but the times where they try to make it sound like a conversation, particularly in episode 1, gives the impression of a school exam where you have to write dialogue for a presentation. I would guess that English might not be their first language or that their reading skills just aren’t brilliant. There are times when they stumble over words as they read them.

I’m really trying hard not to be patronising or presumptuous here. I have great patience listening to people speak, and I’m happy to ignore these hurdles to get to the story underneath any linguistic problems or equipment issues.

Final thoughts

You really should give this one a go. Try your best to ignore the shortcomings and you’ll find a really interesting series. Ultimately I feel I may have started this show too late. The website is no longer live and there is no real social media presence any more. This is a great shame because with some work this could be a brilliant show. Their culture is so rich with stories that it’s our loss if they don’t continue.

So “migwetch” Kenzie and Josef. I hope you get the time in future for more episodes.

Usually at this point I give you a link to the website where you can find the episodes. Unfortunately though, because the website is down, you’ll just have to search your podcatcher for episodes.

A revisit, and an apology of sorts

Disgraceland re-review

Rating –

Disgraceland logo

Back in September I reviewed Disgraceland, a music podcast by Jake Brennan about the seedier side of celebrity. At the time I gave it a three brain rating, owing to the fact that most of the episodes were Amazon exclusives. Since the calendar ticket over into 2023 though, Jake has started releasing the entire archive on ANY podcatcher you can think of. What a noble chap eh?

Because of this, I have decided to re-write (in parts) the old review and repost it. Not bcause I am lazy, and I havent got another review already written. Well, ok, that’s partly the reason, but this is such a brilliant podcast, I really want to revisit this and give it the rating it deserves. So read on, and ignore any feelings of deja-vu you may experience.

So what’s it about?

Disgraceland is a podcast covering the various scandals and misdemeanors of music’s great and good (and bad). Each episode covers a different story and they run the whole gamut of decades and genres. There are some wild tales to be found here, and also some heartbreaking ones too, but each is told with the amount of respect deserved. Just because someone is famous, doesn’t make them an exhibit to be held up for public amusement does it? Or maybe you think it does. Maybe you like to read the paparazzi infested gossip magazines. Whatever, I’m not your dad. I can’t tell you what to do.

The show is narrated by Jake Brennan. He also writes, produces and composes the music, so the credits list is rather short. I first heard Jake on his other podcast Dead And Gone, about people who disappeared following The Grateful Dead around the country. This true crime podcast is on my “to review” list, and will be getting 600 or so words dedicated to it very soon. He also has a very similar show to this one called Badlands, almost twin in fact, but delving into the lives and misdemeanors of everyone other than musicians. This will also be getting reviewed in the near future (and as soon as I can think of a snappy title to use).

Jake has the kind of achingly cool American voice that you would expect someone who narrates rock music podcasts to have. His voice sounds like sunshine, surf wax, petrol and pot (at least to a Welsh nerd anyway). I don’t mean any disrespect here. He’s not just someone who sounds the part. He has a deep knowledge of musical history and he has a real talent for bringing any story to life, regardless of the era. This is purely down to his skill as a writer, and he avoids the usual cut and paste from Wikipedia problems that other shows on music history (by much more well known presenters) have fallen into.

Is it any good?

Yes. Absolutely.

Now, I’m a massive music fan and I’m not really fussy about what I listen to. The playlist on my phone runs from Dixieland Jazz, to Death Metal, Psy-trance to 1970s Japanese Funk with some traditional West African music and Musique Concrete thrown in for good measure. There aren’t many stories told that I’m not familiar with, although there are a few. Because of this, I could rate it low and say “well, there aren’t any new stories here, I’ve heard them all before”. That’s not how I do things though. Just because I know something doesn’t mean that you will.

Want to hear about the time Jerry Lee Lewis wanted to murder Elvis? Or maybe you want to learn about Syd Barrett’s psychological fall from grace. Maybe you’re interested in the sorry story of Britney Spears’ lost childhood and subsequent mistreatment. If so, this is the show for you. Whereas some music podcasts will stick to one genre of music (because it makes the authors job easier) this one really covers everything, and each subject is given the same deep dive and respect it deserves. This can only be done by someone with a love for ALL music.

Jake’s style of writing is like a (much) better version of the journalist Mick Wall. He puts himself in the situations that occur, and that really makes for an exciting story. For my money, Jake is a way better writer than Mr. Wall anyway. I’d love to read a full length biography written by him, or even better an audiobook narrated by him.

Final thoughts

So there you have it. I’m man enough to admit I was wrong. Well, not wrong exactly I had originally said that I loved the show, and only marked it down because of the lack of episodes. Now though, I can set the record straight and give it the rating it truly deserved. You should also check out Jake’s other shows as soon as possible too. You’ll probably be watiting ages for me to review them!

You can get Disgraceland here:

https://www.disgracelandpod.com/

or wherever you get your podcasts

Fae Dougie, Lee & John the dug

A Scottish Podcast review

Rating –

A Scottish Podcast logo

This has been a long time coming. Despite winning one of my coveted (purely imaginary) podcast geek trophies in December, I have never got around to writing a review. While other, newer podcasts jumped to the front of the queue, this one has always been waiting, like me waiting to be picked for school teams in PE. Today is that day though, A Scottish Podcast gets reviewed!

The first time I heard of this podcast was an interview with the creator Matthew McLean on The Good Friends Of Jackson Elias. His self-deprecating style and sense of humour immediately impressed me. With Scott Dorward waxing lyrical about it, It struck me as something I needed to listen to forthwith, so I did.

So what’s it about?

Some might say that ex radio DJ Lee Power is unemployable. That isn’t strictly true. Lots of people have employed him, it’s keeping a job that is the problem. After his most recent sacking, Lee decides to start a paranormal podcast. After the genesis of “The Terror Files”, he decides he needs a hand to run things. He teams up with reluctant friend Dougie (Dougie would probably despute the term “friend”), a musician recently returned from London.

Soon we are introduced to a wide range of insane locals, gangsters, and all manner of Lovecraftian horrors that lurk in the forgotten catacombs and windswept remote islands of Scotland.

The storylines themselves range from impromptu urbex under the streets of Edinburgh, to derelict military facilities to… well, I’m not saying any more than that. You’ll just have to listen.

Is it any good?

This is one of the funniest podcasts I’ve ever listened to. As I type this I am listening to all the series for the fourth time. Honestly, it’s still just as funny as the first. This goes to show the talent of Matthew McLean as a writer, as well as the brilliant voice talent for bringing the characters to irreverent life.

Talking of voice talent, series one features the legendary (in my book anyway) David Ault as Councillor Byers. His deadpan delivery suits the corrupt politician perfectly. An honourable mention also needs to be given to Jim Balfour as retired footballer and crude Francis Begbie-alike George. I think he probably has more of the classic lines than any character. Even though I know what he’s going to say, I’ll still laugh out loud as he says them.

The series really comes out swinging. Lee’s first story recounting his meeting with a werewolf to media students setting the gloriously crude style of the rest of the podcast. The first epsidoe also ingtroduces the weird meta style of McLeans writing. Lee frequently references real podcasts such as The Black Tapes, and later on Lee and Dougie reveal that they know they are only characters in someone elses podcast. Again, thats just another great detail that makes me love this show.

The later series release schedule has been “relaxed” to say the least, sometimes only a handful of episodes in a year. While the storylines may go on hiatus, there will be a few random posts of poems McLean has written. These are also very good, the one for his brother was outstanding, and really heartbreaking. These offer a great contrast to the silliness of the main story and show that he is far from a one trick pony.

Final thoughts

Most people think that anything to do with horror, and particularly the work of H.P. Lovecraft has to be serious, stuffy and usually not very scary. However, I think it lends itself more to humour. Maybe that’s just me, but podcasts like this, Wormwood, The Lovecraft Tapes, or Ain’t Slayed Nobody are much more entertaining (and yes, those last two are roleplaying podcasts, but they play how I like to, so they get a mention).

As I think I’ve made clear already, I love this podcast. The only caveat I would give any prospective listener is that the language is VERY coarse. If you have a disposition that gets upset at swear words and euphemisms of an incredibly inventive nature, then “Turn the tape off now, this is not a pop album” (as Ice T once said). I happen to think that swearing is very funny, but that’s just me…

You can get A Scottish Podcast here:

https://scottishpodcast.com/

Or wherever you get your podcasts 

Give me just a little more time, time, time

Athletico Mince review

Rating –

Athletico MInce logo

There are few things in this world I loathe as much as football. My feelings on the “beautiful game” are similar to Clarkson’s views on certain branches of the Windsor family tree. However, there are few things in the world I love more than Mr. Bob Mortimer.

Most people my age have grown up with Vic and Bob. From Big Night Out, to Shooting Stars, and now we are all old sods, Gone Fishing is must watch viewing. If you haven’t heard of this podcast, it should also be added to your list asap.

So what’s it about?

Originally conceived as a comedy podcast about football, hosted by Bob Mortimer and Andrew Dawson. Since about episode 20 though, this series has only a tenuous link to the overpaid prima donnas of the EPL and other leagues. The early episodes aren’t great. Bob and Andy even say you should probably skip the first few, and if you aren’t a football fan you can skip a few more.

The characters so brilliantly brought to life by Bob’s ramblings are football players or managers in name only. Harry Kane with his magic chin, Peter Beardsley’s joke book, Sean Dyche with his “motivational” songs and Steve McLaren and his pet snake Caspar could have any names as far as I’m concerned. They’d still be hilarious, although nowadays I can’t see pictures of Dele “Debbie” Alli without hearing Bob’s voice. It gets me in a right fluffery buffery.

Although that is not to say that the only celebrities getting rebuilt from scratch are footballers. Matt Allwright, Jeremy Corbin, Denise Welch, Sting and more all appear in increasingly surreal situations (the latter in Bob’s “crime” series Geordie Heat).

If you also add into the mix the South African gangbanger, Bob’s Crime Files (he does love his crime), the Scottish songs/stories and Barry Homeowner aka Train Guy, and you have such a varied range of hilarity that you are bound to find something that will elicit at least one laugh an episode (and probably a lot more).

Is it any good?

OF COURSE IT IS. I would go so far as to not recommend this to football fans. They get precious about people mocking the children’s game they devote vast amounts of time and money to slavishly follow. Seeing how things that originally started as throw away lines have developed into epic storylines (as the adventures of Steve McLaren and Caspar are testament to) show Bob’s skill as a comedy writer. I’m actually not sure how much of the show is written. There are stories where Andy supplies voices, so I’m sure that these are pre planned, but likewise I’m sure there’s a lot of stuff that just gets made up.

Up to this point, this has been a rather one sided review. As I said at the beginning, here are two presenters and so far I’ve only been talking about one.

Andy Dawson comes from a more sports oriented background, hosting the podcast Top Flight Time Machine (which is a football podcast, so there’s no chance of me reviewing it). He really holds his own, and whilst not having quite an equal split of the jokes, he provides plenty of laughs as well. Usually when he starts corpsing at Bob’s attempts at accents.

Final thoughts

If you like football then have a listen. If you don’t like football, but like Bob Mortimer then have a listen. If you don’t like Bob, or football then I suggest you listen anyway, because it is one of the best comedy podcasts out there. The only “downside” is that when Bob is filming then they release compilation episodes. So there’ll be a whole episode of Peter Beardsley, or Scottish tales or some such. Due to the quality of the writing they do hold up to repeated listening (hence my use of inverted commas around downside).

Wow, 684 words fell out of my head in about 2 hours. Just goes to show how much I love this show.

You can get Athletico Mince here:

https://athleticomince.com/

Or wherever you get your podcasts

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