Tag: Folklore (Page 1 of 2)

To Hellier and back

April 23, 2023 / / 0 Comments

The Haunted Objects Podcast

Rating –

The Haunted Objects Podcast logo

Another queue jumper this week. I have just finished watching the season one of the brilliant series Hellier. This particular nugget of high strange came to my attention after hearing a discussion about it on Some Other Sphere. I duly dug it out, and couldn’t stop watching (apart from writing podcast reviews of course). Since then I started following Greg Newkirk on twitter and I saw that he had a podcast with his wife Dana and their researcher friend Connor. Obviously I subbed immediately and downloaded the entire series. 

So what’s it about?

Apart from making outstanding documentaries and investigating the paranormal, Greg and Dana run the Newkirk Museum Of The Paranormal, and it is artefacts from their collection that make up the main part of each episode.

The oddities in question (as far as the podcast goes so far) range from a plank of wood from the Amityville house, to some 1930s goggles to help you see auras. These items are just a jumping off point for discussion though. As the episodes progress, there are deep dives into the histories of the objects and the people connected to them, and plenty of digressions too. Of particular interest to me was the episode on the “Dybbuk box”, a story that I found terrifying when I first read it. I won’t spoil it here, but it’s a very good tale and full of the mystery and misdirection that categorises the Newkirk’s output.

Is it any good?

Absolutely. This series is (like Mary Poppins) practically perfect in every way. The episodes are brilliantly researched and expertly presented. They are spooky in all the right places, and light hearted enough so that you don’t get that brain fog so typical of serious paranormal podcast binges. I say “light hearted”, I mean this show is absolutely hilarious. There have been many laugh out loud moments, especially Dana commenting on how thicc the mothman statue is. Actually, Dana commenting on anything is usually good for a laugh.

The team, (now recently joined by Keelin Mathews) have such a great connection with each other. I think this helps with the telling of the stories, and you really have the feeling that you are sitting in with a group of friends as they happen to be talking about cursed black mirrors and painting that will burn your house down.

I guess all those sigils that Dana has charged over the years are working, because I honestly love everything the the Newkirks are putting out. Maybe that’s because their sense of humour is the same as mine. I think that must be it really, because there are many paranromal podcasts out there that fall short of my complete admiration and fanboy drooling like this one recieves.

Final thoughts

I first heard of the Newkirks quite a while back after reading about their “most terrifying exhibits”. I can’t remember where this was, although I suspect it was while I was using the “stumbleupon” browser addon. Over the years, they drifted from my memory (sorry guys). Even after hearing mention of Hellier I didn’t make the connection. In fact it wasn’t until I actually went to the website to hunt for an email address I had that AHA! moment and realised that the museum was the same one I’d read about all those years ago.

I can’t really recommend this series highly enough, unless you really don’t like anything paranormal. But then I can’t recommend Hellier enough either. You should check both out immediately. So close this window on your browser and get on the case. DO IT. RIGHT NOW!

I’m gutted now that I’ve got through the whole series so far. The best thing about missing the launch of a podcast is being able to binge the whole lot. The bad part is I’ve got to wait for the next episode now. At least I’ve got half of series two of Hellier to binge.

You can get The Haunted Objects Podcast here:

https://www.hauntedobjectspodcast.com/

Or wherever you get your podcasts 

Frayed ends of sanity

April 9, 2023 / / 0 Comments

Ghosted review

Production company – Long Cat Media

Rating –

Ghosted logo

Allow me to tell you one of the most terrifying experiences I had when I was a child. I remember me and my brother going to bed a bit early because my parents had some friends coming round. We’d been in bed for a while when I heard shouting coming from the living room. Not just like an argument, this was more frantic. Something horrible was happening, but I couldn’t hear what. 

Anyway, it turns out that a group of them were rehearsing for an amateur production of The Monkey’s Paw. I didn’t know what that was at the time, but it planted a seed in my brain. A few years ago, I developed a love for the 70s supernatural TV plays. I’m quite happy to put this down to that night when I was young. Shows like Dead Of Night and Beasts told terrifying stories in contemporary settings. Usually revolving around unloved women on the brink of a nervous breakdown. These shows were experts in building tension. But what does this rambling have to do with the review? Well read on and hopefully I’ll elucidate.

So what’s it about?

Ghosted follows the story of Beth. She is the owner of a lighthouse that she has tried, with varying degrees of success, to turn into a luxury B&B. Helped only by her mysterious aging housekeeper, Beth is finding the stress of running a business and the isolation of the lighthouse increasingly stressful. This isn’t helped by local stories concerning the lighthouse itself.

Her already tenuous grip on her sanity really starts to slip when an old university friend books in for a break, but using a pseudonym. The two friends try to rebuild their friendship after Beth’s unannounced departure from the university course years ago. As the two friends start to defrost their estrangement, events in the lighthouse start to escalate. As they increase in intensity Beth’s grasp on reality becomes increasingly tenuous.

Is it any good?

As I mentioned in my somewhat long-winded intro, it’s very reminiscent of 1970s TV horror stories. For some reason the one that really springs to mind is an episode from the Dead Of Night entitled The Exorcism. I think mainly because of the stress of keeping up appearances despite the occurences becoming increasingly bizarre and terrifying. This ratcheting of tension also reminds me of the climax of The Telltale Heart.

The acting is great, but in a very retro manner, if that makes sense. When you see old TV shows, the acting style is a lot different to modern techniques. Maybe because in the 60s and 70s, actors got their chops on stage rather than going straight to TV. I don’t know, I was only young, and I’m no media expert, but that’s my opinion.

The plot is also very tight and the drama between the two leads is great. As their backstory is revealed and secrets exposed, you really start to wonder exactly what is going on here. There are multiple layers to the story that keep you guessing and produce real surprise when they come to light.

Final thoughts.

If you’re a fan of old TV mystery and horror, then you will absolutely love this series. Particularly the work of Nigel Kneale. Having waxed lyrical about how this drips with retro vibes, I don’t actually know if that was the intention here. At the end of the day, these ramblings are just my thoughts, and hopefully you agree. 

This was a great way to kick off a podcast. The second story has just launched, and I’ll be interested to see how that one plays out. I haven’t started it yet, but then I have so many podcasts on my list, it’s not possible to get through every new epsiode as it drops. Rest assured, I will reiew it when it’s done.

You can get Ghosted here:

https://www.longcatmedia.com/magentapresents

Or wherever you get your podcasts

A whole new world

April 2, 2023 / / 0 Comments

Some Other Sphere review

Rating –

Some Other Sphere logo

Back to the world of the mysterious this week. I can’t remember how I heard about this show, but it probably cropped up on my twitter timeline. That seems to be how I usually hear about podcasts nowadays. Well that, and people interviewed on podcasts like this. But read on and we shall rend the veil between the magical and mundane.

So what’s it about?

Some Other Sphere is essentially an interview series focussing on some different, mysterious subject. Or “exploring our strange world, one conversation at a time” as the host puts it (in a much better and concise way if I do say so myself).

Each episode sees host Rick Palmer interview somebody in a different niche field. I can’t really make it any more specific than that, the interviewees range from authors, to occultists, from cryptozoologists to tarot readers and paranormal investigators.

Think of it as The Fortean Times, but as a podcast and you won’t go far wrong.

Is it any good?

I really like it. It reminds me somewhat of the old school programs we’d watch in the 80s, when the giant old TV would be wheeled into the classroom. This feeling of nostalgia is helped with the electronic theme song that really gives it that hauntological edge. There is still a part of me that waits for the instruction to “take out your workbooks”.

Rick’s enthusiasm for the subjects really comes through, and despite his knowledge of the subject matter, his excitement when some connection is made is obvious (and that makes two of us!)

So far the whole thing squeaks in at just under 100 episodes. I know that nearly 100 episodes can’t really be described as a “squeak”, but compared to a lot of the similar shows, it’s pretty fresh faced and I’m having no problems ploughing through it in 7 hour chunks.

There are a few subjects where there are a few real holes in his knowledge. The one that springs to mind was early on when he interviewed Matt Hopewell about discordianism. I was waiting for them to bring up the work of the KLF, or even Chris Morris’ TV show Brass Eye (which certainly falls into the ballpark of “Operation Mindfuck”, especially the episode about drugs). In other podcasts, I start thinking I’ve caught the host out, because I know something that doesn’t get brought up, but they’ll invariably mention it before the end. Not here though. I can’t expect someone to know everything about everything, so I won’t mark the show down for that. But seriously WATCH BRASS EYE!

Final thoughts

There are many folklore and mystery podcasts out there. Unfortunately they vary wildly in quality of style and content. Some Other Sphere straddles both of these with ease. It’s never boring, and the choice of guests is varied enough to keep even the fussiest listener entertained for at least a few shows.

There’s a lot to be said for these cosy talking head style interview podcasts with no sound effects or adverts. Producing the show inthis way really give the guests a chance to shine without anhy distractions from the subject matter.

This podcast really reminds me of The Folklore Podcast by Mark Norman. Although, whereas that show veered more towards the academic, which is fine in its own way, it did tend to get a bit stuffy at times. This is a brilliantly accessible, entertaining and well made podcast that will have something for anyone with even a passing interest in the more leftfield subjects.

You can get Some Other Sphere here:

someothersphere.podbean.com

Or wherever you get your podcasts.

O Trawlerman. O Judge

February 12, 2023 / / 0 Comments

The Silt Verses review

Production company – Rusty Quill

Rating –

The Silt Verses logo

I usually have some idea of what I’m getting myself into when I subscribe to a podcast. It’ll be recommended by a friend, or I’ll hear an interview on another podcast. I went into this one completely blind. The name sounded interesting, but I honestly don’t remember hearing anything about it at all. This made for a rather interesting experience, and I’ll tell you all about it here.

So what’s it about?

The Silt Verses is a rather “folk horrory” series. At first it seems to be set in an indeterminate country in an indeterminate timeline. At a guess, it’s America at some point in an alternate present or future. I’m only guessing that because of the voice actors, and the fact that they have modern tech like mobile phones. These are details that are almost irrelevant though. The point of the story is the sheer weirdness of the events. There are strange religions, odd people and sinister antagonists. Did I mention strange religions? There are LOTS of strange religions.

The story follows pilgrim Carpenter and her young partner Faulkner. They follow the faith of The Trawlerman, a river god of water and silt. Carpenter’s grandmother was highly regarded in the faith, and Carpenter has that same ego so beloved of people who trace a lineage back to something important. 

As their voyage continues they meet many allies and enemies. There are strange symbols carved everywhere, and horrific creatures lurking in places both magical and mundane.

The pagan ways of the populace are pitched against followers of The Saint Electric and similar deities, truly modern gods for the technological age. Everywhere they go they meet people who follow different gods, and there are gods of everything.

Is it any good?

On the whole, yes. There are a few niggles here and there that stop it being a true “five brainer”. My main problem is that whilst the acting is top notch on the whole, there are a few cast members who let the rest down. There are also parts of the story where it is obvious the cast were recording at different times, and on different equipment. You can hear the cuts in the audio and this really distracts, particularly on headphones.

As the first series progresses, I found myself enjoying the exposition episodes more than the main thread. Don’t get me wrong, the main story is great, but there’s only so much bickering I can take. I get it, the young one thinks the old one is out of touch and the old one thinks the young one is an idiot. That’s life. The backstories though are so brilliantly written, particularly Paige’s corporate history. That is like an episode of Black Mirror.

As I have said in past reviews, the term “Lovecraftian” gets bandied about a lot nowadays, and is a badge usually hung on anything that is a bit weird. I think this podcast truly is Lovecraftian though. The whole thing has a dreamlike quality that is simply delightful, due in part to the ambiguity of the setting. The only thing we have to go on as far as dating is that it takes place “after the last great religious war”. I also loved the episode about the god of hunger. That was a nice, ambiguous concept that offered a nice (albeit no less gruesome) contrast to the more physical horrors encountered in the story.

Final thoughts

When I first started this review many months ago, it was a three brain show. At that point it was nothing more than a title and a rating. I recently revisited it to refresh my memory as to why I gave such a low rating and decided it was worth five brains. Taking everything into consideration though, it is a solid four.

If you like Neil Gaiman, H.P. Lovecraft, or Charlie Brooker, then you will love this show.

You can get The Silt Verses here:

https://www.thesiltverses.com/

Or wherever you get your podcasts

Campfire tales of terror

February 5, 2023 / / 0 Comments

The Historical Natives review

Rating –

The Historical Natives logo

I first heard of this show whilst listening to a podcast about the awful stories of residential schools of Canada. Whereas that show was about the more corporeal type of awful monster, this show is very much folklore based. After sitting patiently in my “unplayed” list of podcasts, I decided it was time to do The Historical Natives revie

Now the more hawk-eyed among you may think that the low score you see above is an indicator of a bad podcast (as it usually is). Please read on though, and let me explain my decision.

So what’s it about?

The Historical Natives is a folklore podcast in the vein of Uncanny Japan. Each bitesize episode covers a different creature from first nation folklore. These run from the well known (Sasquatch and the Wendigo), to the equally terrifying, though less well known Walking Sam or the Stick Indians. These creatures are not exclusive to single tribes either, but are known by many names and descriptions across the entire continent. A prime example here would be the sasquatch.

The hosts are MacKenzie Taylor and Josef Stafford, two self confessed, albeit recently converted horror fanatics who grew up in a small village in the wilds of BC. The strange thing was, it wasn’t even a “true” horror film that sparked this journey off, but Wayans brothers spoof Scary Movie. I’m not gatekeeper enough to care how people get into horror though, it’s the destination not the journey that’s important.

The second half of each episode gets a story written by Josef on the aforementioned creature. It is also is a language lesson of sorts where the hosts teach you a new word from the relevant dialect of the tribe featured in the episode.

Is it any good?

It could be very good, easily as good as Uncanny Japan, but it is ultimately let down by the hosts’ inexperience. Mackenzie and Josef started this show using a grant from a business initiative for First Nations people. This is a great idea, because sometimes (as it is here) there are people capable of producing great content who wouldn’t normally get a chance.

Having a microphone and a means to upload audio is only half the story though. The room they record in is not really suitable for the job. Some heavy blankets hung around the place would probably help no end. Unfortunately it sounds like they are sitting in a kitchen, recording the podcast to a mobile phone.

Also you can really tell the whole thing is written down first. There is nothing inherently wrong with this, but the times where they try to make it sound like a conversation, particularly in episode 1, gives the impression of a school exam where you have to write dialogue for a presentation. I would guess that English might not be their first language or that their reading skills just aren’t brilliant. There are times when they stumble over words as they read them.

I’m really trying hard not to be patronising or presumptuous here. I have great patience listening to people speak, and I’m happy to ignore these hurdles to get to the story underneath any linguistic problems or equipment issues.

Final thoughts

You really should give this one a go. Try your best to ignore the shortcomings and you’ll find a really interesting series. Ultimately I feel I may have started this show too late. The website is no longer live and there is no real social media presence any more. This is a great shame because with some work this could be a brilliant show. Their culture is so rich with stories that it’s our loss if they don’t continue.

So “migwetch” Kenzie and Josef. I hope you get the time in future for more episodes.

Usually at this point I give you a link to the website where you can find the episodes. Unfortunately though, because the website is down, you’ll just have to search your podcatcher for episodes.

And the winner is!

December 4, 2022 / / 0 Comments
Trophy pic

December 2nd marked the 1st anniversary of me launching this blog. In a rather preemptive strike on the traditional end of year lists that will invariably clog up all your timelines in a few weeks, I thought I’d get in with my rather unofficial awards celebrating the best (in my opinion) podcasts you can get. So, ladies and gentlemen, let me introduce the first annual podcastgeek awards ceremony!

Some shows I will have reviewed, and I’ll be adding links to the reviews where available. Others will be reviewed as soon as I get round to it. Each category will have a shortlist of five entries in no special order apart from how they spring to mind. At the end of each shortlist we will have the winners. I hope you have the patience to read all the way through. It shouldn’t take too long!

Now, there may well be some glaring omissions, especially if you’ve been following this blog for a while, but seeing as this will be an annual event, there is always next year, and I promise no series will win more than once.

The drinks are flowing here at the podcastgeek enormodome and the guests are waiting with bated breath to see who takes the gongs home. So without further ado, I’ll roll out the red carpet as the spotlights rake the night sky, put on my best bib and tucker and heap praise on a multitude of shows. DRUMROLL PLEASE!

Best fiction podcast

This was a tough one, because the entire shortlist is excellent, ultimately though, the result will come as no surprise to anyone who’s read my reviews.

The winner is THE MAGNUS ARCHIVES!

Magnus Archives Logo

Best true crime podcast

  • Hunting Warhead
  • The Lazarus Heist
  • Death In Ice Valley
  • Deep Cover
  • The World’s Greatest Con

Another tough one. Another 5 incredible shows, but there’s only one winner tonight. This podcast won just for the fact that there is some resolution to the crimes, and the fact that there are no real trigger warnings.

The winner is THE WORLD’S GREATEST CON!

World's Greatest Con logo

Best gaming/geek culture podcast

I had originally intended to spend a month or so only reviewing this rather niche area of the podcastverse, but I didn’t want to lose either of my regular subscribers, so I decided against it. Anyway, these are five very worthy podcasts, but for the sheer range of subject matter there can be only one (as the highlander would say).

The winner is HYPNOGORIA.

Hypnogoria Logo

Best science podcast

Originally I avoided science podcasts, thinking they would be stuffy and boring (despite having an interest in science). How wrong I was. The podcasts here are all very accessible and very entertaining.

The winner is BIG PICTURE SCIENCE.

Big Picture Science logo

Best comedy podcast

Over the years, I have listened to plenty of “comedy” podcasts that are as funny as standing on a plug. The shortlist here though are all very, very funny indeed. That said, in much the same way the The Magnus Archives was a rather predictable win, so is this. This one is a very sweary win “fae Dougie, Lee and John the dug”.

The winner is A SCOTTISH PODCAST.

A Scottish Podcast logo

Best paranormal/folklore podcast

I could have happily had four of Danny Robins’ podcasts and one other to make up the numbers, but that wouldn’t be fair, especially with so many interesting paranormal and folklore podcasts out there. The winner of this category really takes top spot, like hypnogoria, for the sheer breadth of subject matter. This really is a great series.

The winner is BONE AND SICKLE.

Bone And Sickle logo

Best factual podcast

Possibly the hardest category to judge, due to the catch-all nature of the title. Again, the shortlist entries are all worthy of your time, and I recommend you check them all out. The contrarian in me has decided though that it has to be heroic.

The winner is HOW TO BURN A MILLION QUID.

How To Burn A MIllion Quid logo

Phew, that’s a lot of podcasts isn’t it? And I’ve obviously done a load of listening. That is only a small selection of the podcasts that I’ve pumped into my brain over the last few years. If the best idea is to “write about what you know”, you can see why I started writing about podcasts can’t you?

“Ha! Mr podcastgeek” I hear you scoff. “Why don’t you get a life?”

In response I will click my fingers and out of the shadows a group of no-necked toughs in suits will have these hecklers ejected from the venue.

We have had some great shows mentioned this year, and despite missing out on a win, I really need to give an honourable mention to The Good Friends Of Jackson Elias. When I posted my review of that podcast, it had so many shares and comments, it is BY FAR the most popular post I’ve written. So thank you to all the Call Of Cthulhu and Chaosium fans who took the time to help grow my blog. It is greatly appreciated.

This ol’ Blumhouse

October 23, 2022 / / 0 Comments

Production company – Grim & Mild/ Blumhouse

Rating –

This was probably my first introduction to Aaron Mahnke podcasts when the first series came out two years ago. Almost immediately though, I also found Haunted Road, and realised that there were some pretty big shows in the Grim & Mild camp. Series two was last year, and season 3 is scheduled for this year. It’ll be interesting to see where they go. The title of this series is also apt for this time of year, so it gets slotted in nicely here.

So what’s it about?

13 Days Of Halloween is a horror anthology podcast, with each season being completely different to the last so I think to make life easier, I’ll break this up into two parts.

Season 1 is an Amicus style portmanteau story that sees a voiceless stranger (possibly meant to be you, the listener?) “You” arrive at the sprawling and spooky Hawthorne Manor. You are met at the gate by The Caretaker, played by the outstanding Keegan-Michael Key. A talented actor, you may recognise him from the sketch show Key and Peele, or from his film roles. The caretaker guides you round the house where you meet the residents. Each episode takes place in a different room. Are the people you meet there real, or ghosts, or figments of your imagination?

The story unfolds like a puzzle as the motivation of the caretaker becomes apparent. But what will be the outcome? The many threads of the present weave with the many elements of backstory to create a very expansive universe and a gripping story indeed.

Season 2 takes a different path. This is more like a regular horror series. The main character now has a voice, and the setting has changed (and expanded) to encompass a whole town. In this case, the wonderfully named Direbrook, a sleepy fishing village in New England.

This has more of a folk horror/Lovecraftian feel, the quaintness of the setting offset somewhat by the strange greetings used by the locals and the veiled warnings to the main character. I said this was more folk horror, and like Midommar or The Wicker man, you have a feeling early on that there will be a sinister climax to it all.

A nameless woman regains consciousness on a beach, and is found by an older woman and local, known as “Mother”. As the series progresses, this duo explore the town and amongst the standalone stories (as in series 1) are clues that reveal the identity and reason for the unnamed woman to be here. The Lovecraftian elements develop quite early on, with similarities to stories like The Shadow Over Insmouth, and even films like In The Mouth Of Madness.

Is it any good?

Season 1 was very good in its own way. As I said earlier, it is reminiscent of the 70s movies by Amicus, in particular it reminds me of the film Asylum. Keegan Michael-Key is his usual eccentric self, and seems to be channeling Tim Curry from Clue. This in itself is no bad thing, although it does grate a bit during the higher camp moments.

Season 2 is certainly bigger, although maybe not better. As I said, the protagonist now has a voice. This is something that seems a tad redundant, because she hardly ever says a word. As in season 1, the protagonist is guided through the story, this time by the mysterious “Mother”.

I’m currently listening to this season again, because despite finishing it relatively recently, I can’t actually remember anything about it past episode 2. I think that says a lot about this show, which is a shame.

Final thoughts

This is something of a mixed bag. Having the production clout of Blumhouse and Grim & Mild sets this head and shoulders above lower budget productions, but ultimately this is a show that leaves me wanting. On paper this should be my ultimate podcast, one that would have my “brain” rating increase to 6 or 7, but it misses the mark somehow.

Now that season 3 is almost halfway through, I’ll give it a go. Hopefully third time’s a charm.

You can get 13 days of Halloween here:

https://www.grimandmild.com/13days

Or wherever you get your podcasts

Buddha, Coulda, Shoulda

October 2, 2022 / / 0 Comments

The Subjective Truth review

Production company – Good Pointe

Rating –

The Subjective Truth logo

I found this through the other Good Pointe show Two Flat Earthers Kidnap A Freemason. Honestly, I was expecting something similar. This was no light-hearted satire though, but a decidedly darker (though no less entertaining) drama. So join me as we head off in search of Buddha Kline.

So what’s it about?

Amateur treasure hunter team Buddha Kline and his wife Amy are on the trail of the legendary Fenn Treasure. They get split up and Amy makes it back, but Buddha has vanished.

The series follows podcaster and journalist Graham Anderson as she tracks the ever cooling case. She meets Buddha’s family and friends, and a whole cast of strange characters along the way.

Pretty soon the strange phenomena that seem to follow the legendary treasure and the town of Taos, New Mexico start to appear and things get very weird indeed.

Is it any good?

It’s great. Earlier on in the series, I was giving some serious thought to scoring it lower. I think it dropped to about a three brain rating at one point and it was in danger of making it on to my end of year “also ran” list. Ultimately, it ended up captivating me though. The acting isn’t great across the board, but really, that didn’t matter. It’s very easy to get fully absorbed into the story and any niggles are soon forgotten.

As I said in the intro, seeing as this is a Good Pointe podcast, I was expecting something else (this was rather presumptuous of me, I’ve only listened to one other of their shows). This series is more like the alternate reality mindf*ck of the excellent PRA shows Rabbits or Tanis. The world building is amazing, and the adverts are so well observed that they could easily exist.

As the series progresses, little nuggets of existing urban legends, folklore and creepypasta are thrown in. These are sometimes so subtle in the main story arc that it’s almost “blink and you’ll miss it”. I loved the inclusion of the Three Kings ritual and the Polybius arcade machine in particular, even though the latter was a touch reminiscent of the Rabbits podcast.

There are also later “bonus episodes” that fill out the mythos and give occasional comic relief (whether intentionally or not). Sorry, but the mattress phone call was funny no matter what you say!

This is also one podcast that could have carried the odd trigger warning here and there (I can’t believe I just wrote that), trigger warnings tend to bring me out in hives. The episode that dealt with the “reboots” in depth was heartbreaking. Coming from someone with skin thicker than a rhino with psoriasis, that’s really saying something.

There’s also some pathos here as the series reaches its climax. Graham’s past catches up with her somewhat and what she experiences is also rather harrowing, it’s also a great portrayal of how people in the public eye get treated (or so we’re told). It’s the sections like these that set it apart from the aforementioned PRA podcasts and set this one on a true path of its own.

Final thoughts

The problem with my listening habits is that because I’m working my day job and listening at the same time, I can miss certain details. That’s entirely my fault. This series is one that I’ll be returning to immediately for another run through. I think there’s a very important point I may have missed at the end that was a big twist. It won’t affect the score any. It can’t go higher than a five brain rating!

Are there better podcasts out there? Yes. But don’t let that put you off. This is an outstanding series I’ve come to love, and I’m almost ashamed of myself for almost writing it off after the first two episodes. Do yourself a favour and subscribe immediately. You won’t be disappointed.

You can get The Subjective Truth here:

https://thesubjectivetruth.libsyn.com/

Or wherever you get your podcasts

Terror never sounded so good

August 28, 2022 / / 1 Comment

Uncanny Japan review

Rating –

Uncanny Japan logo

I love folklore, and (as I have said before) living in Wales there is plenty on offer. Because of this, I am often drawn to the more mysterious style podcasts. Whether actual folklore or fiction inspired by folklore, I just can’t get enough. Maybe it’s because of my love of J-Horror or Anime, but Japanese folklore has captivated me for years. When I stumbled across Uncanny Japan I immediately subscribed and pressed play with baited breath.

So what’s it about?

Each episode, the host, Thersa Matsuura explores a different aspect of Japanese Folklore. Don’t expect to yawn through well trodden tales of the Kappa, Urei and Yokai so beloved of western audiences. This series also covers the lesser known traditions, festivals, and mythical beings said to lurk in the shady corners of the country. These episodes are what you could call “bitesize”. Most podcasts on folklore tend to run at one hour plus, so these 20 minute gems are very short in comparison. I think there have been a few even shorter!

The episode starts out with a brief introduction with the beautiful binaural recordings, and then Thersa starts telling the stories. Not all of these are discovered from ancient sources, although many are. There are some modern day cases that crop up too, and in the later episodes there are similar tales from all over the world. While this does technically leave the Japanese side of the stories, I don’t mind. All stories have a shared source, and drawing these parallels are great fun.

Is it any good?

Definitely. Thersa expertly covers so much ground in each relatively short episode, yet it never feels rushed. The fact that a 20 minute episode can feel much longer could be used as an insult for a review of a lesser show, but here it is absolutely a compliment. This is partly due to her amazing calm voice and the use of atmospheric recordings of her surroundings. The incessant piping of frogs or chirping of cicadas could be somewhat Lovecraftian in the bleak heaths of New England. Here though, it really brings her stories to life.

These sound effects coupled with Thersa’s soporific voice would lend itself to be the perfect sleep aid, although I can’t guarantee a peaceful night’s sleep from some of the content here! There are some very creepy tales indeed, and the thought of having some of these dark denizens of the Japanese countryside invade my dreams isn’t something I’d relish.

Final thoughts

This is one of those shows that you don’t have to be interested in the subject to enjoy. Thersa is a joy to listen to and her knowledge of her subject matter is immense. She has also published books of fiction based on Japanese folklore as well (we are occasionally treated to some excerpts of these on the show).

Where other folklore shows have fallen by the wayside, either through the podcast coming to an end, or me getting bored, this one has got real staying power and is always great to listen to. Do yourselves a favour and give this series a go. You can thank me later.

This is also one of two podcasts on Japanese folklore that I had subscribed to, and the only one I am still subscribed to. Truth be told, I only ever listened to two episodes of the other one and gave up on it. Thersa has set the benchmark for Japanese culture!

You can listen to Uncanny Japan here:

uncannyjapan.com

Or wherever you get your podcasts.

The Usborne Legacy

August 14, 2022 / / 0 Comments

As Yet Unexplained review

Rating –

As Yet Unexplained logo

I first heard of this podcast from Richard Daniels (of The Occultaria Of Albion fame). Unfortunately it wasn’t originally available on every podcatcher and in the interest of fairness, I avoid reviewing such shows. The reason for this is that not everyone has Amazon, or iTunes or Spotify, so I don’t want to review shows that not everyone can enjoy. However it seems that it’s being shared on all apps now, so with great eagerness I subbed and settled down to binge on the whole thing as quickly as possible.

So what’s it about?

This is probably best described as an audio version of the now beloved Usborne books on the unexplained. These were very popular when I was a child and are now experiencing something of a renewed popularity (by people my age, as it goes).

Each episode looks at a different subject. They range from ghosts to UFOs, and from folklore to strange military cover ups from the East and West. There are some very creepy stories here indeed and they are all very well narrated.

Whether intentionally or not, Westley Smith’s narration lends itself to the vintage patina of the show. I can almost imagine him like James Burke on some windswept moor accompanied by a hungry cameraman as he investigates ancient burial chambers, or strange lights in the sky. Also, his voice reminds me of a mix of the character James Hunter from Haunted: An Audio Drama and Jonathan Sims from The Magnus Archives.

Is it any good?

I love this show. The whole thing has a very retro feel. From the logo to the soundtrack, this is a very good pastiche of classic mystery books and shows from my childhood. To be honest, there won’t be any new information here for anyone with an interest in such things, but that really doesn’t matter. Westley Smith does such a good job telling the stories that you almost forget that you know the stories and get sucked into the tales being told. Surely that is a mark of a great orator.

Despite the lack of new information, there are some genuinely creepy moments in the series. The haunting of 50 Berkeley Square will never not be scary, but there are other tales to chill your blood too. The ghosts of Charterhouse, the San Pedro Haunting, and the stories of Russian Cosmonauts drifting off into space are terrifying. The latter especially so, because despite the transmissions being classified, there were people around the world who happened to stumble across them. 

While a show like The Occultaria Of Albion wears its hauntological badge with pride, that show represents a fictional 1970s UK. This is more like the actual late 70s TV shows and books. In the episode on ancient UFO sightings, he’s describing woodcuts that I had studied as a child in my parents’ books on such things. That only reinforces the nostalgia factor, for me at least.

Final thoughts

I really can’t recommend this show highly enough. It’s easy to digest and very well produced. As I mentioned earlier, there aren’t any groundbreaking revelations here, but that’s ok. You can enjoy the show for what it is, and what it is is excellent. Almost immediately, this rose to the top of my favourite podcasts on such subjects.

***NOTE***

I apologise for the constant comparisons to Richard Daniels’ show, but they come as something of a package deal. Indeed, after every episode, that dastardly Richard Daniels manages to inject a subliminal advert for TOoA just to further his own nefarious agenda!

You can get As Yet Unexplained here:

https://asyetunexplained.wixsite.com/home

Or wherever you get your podcasts.

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