Tag: Folklore (Page 1 of 2)

Thoroughly modern Yeti

Yeti review

Production company – BBC

Rating –

People have hunted monsters since the days of “here be dragons” appearing on the edges of maps. I can’t say I blame them, the field of cryptozoology is a fascinating one, depending on your worldview. Of all the strange beasties said to lurk around the world, there are two that surely stand head and shoulders over the rest. This is about the other one (I mean, you can see that from the title).

So what’s it about?

Andrew Benfield has been on a mission for decades. After reading a book about the Yeti (should that be capitalised?), he decided that he was going to be the one to discover it. Since then he has travelled all over the Himalayas in search of the elusive cryptid. The term “Yeti” is far from a catch all term. The area is so vast, and the descriptions are so varied, that if you ask the wrong question you could never find what you’re looking for. Most cases don’t involve giant bipeds with shaggy white hair wandering the snowy mountain peaks. A lot of these new sightings are in remote woodland areas, and the creatures themselves are more like brown haired apes, albeit seemingly with greater intelligence.

His latest expedition sees him teaming up with close friend (and sceptic) Richard Horsey, as they head off to the remotest areas of the Himalaya to investigate modern sightings of the Yeti. These aren’t just reports of distant, indistinct shapes though. There are stories of Yeti chasing people, and even attacking them.

Is it any good?

It reminds me a lot of other BBC mystery and paranormal shows, mostly Death In Ice Valley and Danny Robins‘ various spooky shows. In fact, the BBC seems to be on a bit of a run of paranormal shows at the moment, in part no doubt to Danny Robins’ runaway successes in the genre.

Being a BBC show, the production value is high. The music is evocative, and the binaural field recordings really put you in the far flung places that the guys explore. From remote villages clifftop temples and bustling marketplaces to terrifying journeys on narrow mountain passes, you feel as though you are right next to Andrew and Richard.

Final thoughts

The quest to prove the existence of the yeti is many decades old, and what sets this series apart is that it is investigating new sightings. It’s very easy for monster shows to dwell on the classic tales of this strange creature. It would be remiss of them to gloss over these stories, and they do get mentioned, but the main part of the investigation is following up leads on new encounters.

This series is short and sweet. While I don’t consider it being too much of a spoiler to say that you can probably guess how it ends, it’s enjoyable nonetheless. Having said that, I suspect that if this show had been any longer, then there is a real possibility that the actual hunt for the yeti would have taken a back seat to Andrew’s growing obsession with the quest. This is an equally interesting look at how friendships can suffer when one person’s enthusiasm escalates too far.

You can get Yeti here:

https://pod.link/1693988765

Keep to the path

The Dark Is Rising review

Production company – BBC World Service

Rating –

As I was listening to this series, it reminded me of the fantasy stories that were popular when I was growing up (and that I didn’t like). I tended to only learn about them when they got dramatised on Children’s BBC, usually at Christmas. As I was reading up on the original story to research this review, it turns out that it is indeed based on a classic children’s fantasy book series. I’m still not reading them though!

So what’s it about?

The story follows the adventures of Will Stanton. It is the day before his 11th birthday, Midwinter Eve, and strange things are afoot. Mysterious lurkers, nervous animals and cryptic warnings lay the groundwork for a truly bizarre adventure.

Meanwhile, across the world in Jamaica, Will’s brother receives a gift from a stranger. With the instructions that this gift is for Will, the stranger seems to know an awful lot about the family, and Will in particular.

So what is in store for young Will? Well, I’m obviously not going to tell you, am I? I’m not into spoilers as you well know, so you’ll have to subscribe and find out for yourselves.

Is it any good?

The cast, for the most part, is very good. The inclusion of Toby Jones in anything is usually a seal of approval. He is joined by Harriet Walter, Paul Rhys and Thomas Arnold. The actual cast is rather small with many of the actors playing multiple roles. I suspect that this is more to do with the central plot device than something like budget limitations.

Adapted for audio, directed and narrated by the brilliant Simon McBurney, someone who is fresh in my mind after playing the deliciously creepy protagonist in the TV drama Hijack. He has one of those distinctive voices that I immediately recognised.

I suspect this would appeal to the mid 40s folk horror fan. Whilst I would describe myself as that, I was never really into the Alan Garner “Low Fantasy” type stories.

Final thoughts

It is when I have to write reviews like this i realise what a contrarian I am. I can’t explain it. I said I’m not really into these type of stories, but I did really like the TV adaptations of Moondial and The Children Of Green Knowe when I was young, so maybe it’s more that I have come to this story too late. Who knows?

I suspect that it is to my detriment that I avoided stories like these as a child. Honestly, I was reading rather more full on horror than this style of child-centric folk mystery that I think is almost exclusively British. I reckon if I had read those type of stories, I would have loved this.

As I have said in previous reviews, this is just my opinion, and if my synopsis appeals to you, then absolutely check this out. There is, after all, much to enjoy here. It’s just not to my personal taste.

You can get The Dark Is Rising here:

https://pod.link/1655117993

To Hellier and back

The Haunted Objects Podcast

Rating –

The Haunted Objects Podcast logo

Another queue jumper this week. I have just finished watching the season one of the brilliant series Hellier. This particular nugget of high strange came to my attention after hearing a discussion about it on Some Other Sphere. I duly dug it out, and couldn’t stop watching (apart from writing podcast reviews of course). Since then I started following Greg Newkirk on twitter and I saw that he had a podcast with his wife Dana and their researcher friend Connor. Obviously I subbed immediately and downloaded the entire series. 

So what’s it about?

Apart from making outstanding documentaries and investigating the paranormal, Greg and Dana run the Newkirk Museum Of The Paranormal, and it is artefacts from their collection that make up the main part of each episode.

The oddities in question (as far as the podcast goes so far) range from a plank of wood from the Amityville house, to some 1930s goggles to help you see auras. These items are just a jumping off point for discussion though. As the episodes progress, there are deep dives into the histories of the objects and the people connected to them, and plenty of digressions too. Of particular interest to me was the episode on the “Dybbuk box”, a story that I found terrifying when I first read it. I won’t spoil it here, but it’s a very good tale and full of the mystery and misdirection that categorises the Newkirk’s output.

Is it any good?

Absolutely. This series is (like Mary Poppins) practically perfect in every way. The episodes are brilliantly researched and expertly presented. They are spooky in all the right places, and light hearted enough so that you don’t get that brain fog so typical of serious paranormal podcast binges. I say “light hearted”, I mean this show is absolutely hilarious. There have been many laugh out loud moments, especially Dana commenting on how thicc the mothman statue is. Actually, Dana commenting on anything is usually good for a laugh.

The team, (now recently joined by Keelin Mathews) have such a great connection with each other. I think this helps with the telling of the stories, and you really have the feeling that you are sitting in with a group of friends as they happen to be talking about cursed black mirrors and painting that will burn your house down.

I guess all those sigils that Dana has charged over the years are working, because I honestly love everything the the Newkirks are putting out. Maybe that’s because their sense of humour is the same as mine. I think that must be it really, because there are many paranromal podcasts out there that fall short of my complete admiration and fanboy drooling like this one recieves.

Final thoughts

I first heard of the Newkirks quite a while back after reading about their “most terrifying exhibits”. I can’t remember where this was, although I suspect it was while I was using the “stumbleupon” browser addon. Over the years, they drifted from my memory (sorry guys). Even after hearing mention of Hellier I didn’t make the connection. In fact it wasn’t until I actually went to the website to hunt for an email address I had that AHA! moment and realised that the museum was the same one I’d read about all those years ago.

I can’t really recommend this series highly enough, unless you really don’t like anything paranormal. But then I can’t recommend Hellier enough either. You should check both out immediately. So close this window on your browser and get on the case. DO IT. RIGHT NOW!

I’m gutted now that I’ve got through the whole series so far. The best thing about missing the launch of a podcast is being able to binge the whole lot. The bad part is I’ve got to wait for the next episode now. At least I’ve got half of series two of Hellier to binge.

You can get The Haunted Objects Podcast here:

https://www.hauntedobjectspodcast.com/

Or wherever you get your podcasts 

Frayed ends of sanity

Ghosted review

Production company – Long Cat Media

Rating –

Ghosted logo

Allow me to tell you one of the most terrifying experiences I had when I was a child. I remember me and my brother going to bed a bit early because my parents had some friends coming round. We’d been in bed for a while when I heard shouting coming from the living room. Not just like an argument, this was more frantic. Something horrible was happening, but I couldn’t hear what. 

Anyway, it turns out that a group of them were rehearsing for an amateur production of The Monkey’s Paw. I didn’t know what that was at the time, but it planted a seed in my brain. A few years ago, I developed a love for the 70s supernatural TV plays. I’m quite happy to put this down to that night when I was young. Shows like Dead Of Night and Beasts told terrifying stories in contemporary settings. Usually revolving around unloved women on the brink of a nervous breakdown. These shows were experts in building tension. But what does this rambling have to do with the review? Well read on and hopefully I’ll elucidate.

So what’s it about?

Ghosted follows the story of Beth. She is the owner of a lighthouse that she has tried, with varying degrees of success, to turn into a luxury B&B. Helped only by her mysterious aging housekeeper, Beth is finding the stress of running a business and the isolation of the lighthouse increasingly stressful. This isn’t helped by local stories concerning the lighthouse itself.

Her already tenuous grip on her sanity really starts to slip when an old university friend books in for a break, but using a pseudonym. The two friends try to rebuild their friendship after Beth’s unannounced departure from the university course years ago. As the two friends start to defrost their estrangement, events in the lighthouse start to escalate. As they increase in intensity Beth’s grasp on reality becomes increasingly tenuous.

Is it any good?

As I mentioned in my somewhat long-winded intro, it’s very reminiscent of 1970s TV horror stories. For some reason the one that really springs to mind is an episode from the Dead Of Night entitled The Exorcism. I think mainly because of the stress of keeping up appearances despite the occurences becoming increasingly bizarre and terrifying. This ratcheting of tension also reminds me of the climax of The Telltale Heart.

The acting is great, but in a very retro manner, if that makes sense. When you see old TV shows, the acting style is a lot different to modern techniques. Maybe because in the 60s and 70s, actors got their chops on stage rather than going straight to TV. I don’t know, I was only young, and I’m no media expert, but that’s my opinion.

The plot is also very tight and the drama between the two leads is great. As their backstory is revealed and secrets exposed, you really start to wonder exactly what is going on here. There are multiple layers to the story that keep you guessing and produce real surprise when they come to light.

Final thoughts.

If you’re a fan of old TV mystery and horror, then you will absolutely love this series. Particularly the work of Nigel Kneale. Having waxed lyrical about how this drips with retro vibes, I don’t actually know if that was the intention here. At the end of the day, these ramblings are just my thoughts, and hopefully you agree. 

This was a great way to kick off a podcast. The second story has just launched, and I’ll be interested to see how that one plays out. I haven’t started it yet, but then I have so many podcasts on my list, it’s not possible to get through every new epsiode as it drops. Rest assured, I will reiew it when it’s done.

You can get Ghosted here:

https://www.longcatmedia.com/magentapresents

Or wherever you get your podcasts

A whole new world

Some Other Sphere review

Rating –

Some Other Sphere logo

Back to the world of the mysterious this week. I can’t remember how I heard about this show, but it probably cropped up on my twitter timeline. That seems to be how I usually hear about podcasts nowadays. Well that, and people interviewed on podcasts like this. But read on and we shall rend the veil between the magical and mundane.

So what’s it about?

Some Other Sphere is essentially an interview series focussing on some different, mysterious subject. Or “exploring our strange world, one conversation at a time” as the host puts it (in a much better and concise way if I do say so myself).

Each episode sees host Rick Palmer interview somebody in a different niche field. I can’t really make it any more specific than that, the interviewees range from authors, to occultists, from cryptozoologists to tarot readers and paranormal investigators.

Think of it as The Fortean Times, but as a podcast and you won’t go far wrong.

Is it any good?

I really like it. It reminds me somewhat of the old school programs we’d watch in the 80s, when the giant old TV would be wheeled into the classroom. This feeling of nostalgia is helped with the electronic theme song that really gives it that hauntological edge. There is still a part of me that waits for the instruction to “take out your workbooks”.

Rick’s enthusiasm for the subjects really comes through, and despite his knowledge of the subject matter, his excitement when some connection is made is obvious (and that makes two of us!)

So far the whole thing squeaks in at just under 100 episodes. I know that nearly 100 episodes can’t really be described as a “squeak”, but compared to a lot of the similar shows, it’s pretty fresh faced and I’m having no problems ploughing through it in 7 hour chunks.

There are a few subjects where there are a few real holes in his knowledge. The one that springs to mind was early on when he interviewed Matt Hopewell about discordianism. I was waiting for them to bring up the work of the KLF, or even Chris Morris’ TV show Brass Eye (which certainly falls into the ballpark of “Operation Mindfuck”, especially the episode about drugs). In other podcasts, I start thinking I’ve caught the host out, because I know something that doesn’t get brought up, but they’ll invariably mention it before the end. Not here though. I can’t expect someone to know everything about everything, so I won’t mark the show down for that. But seriously WATCH BRASS EYE!

Final thoughts

There are many folklore and mystery podcasts out there. Unfortunately they vary wildly in quality of style and content. Some Other Sphere straddles both of these with ease. It’s never boring, and the choice of guests is varied enough to keep even the fussiest listener entertained for at least a few shows.

There’s a lot to be said for these cosy talking head style interview podcasts with no sound effects or adverts. Producing the show inthis way really give the guests a chance to shine without anhy distractions from the subject matter.

This podcast really reminds me of The Folklore Podcast by Mark Norman. Although, whereas that show veered more towards the academic, which is fine in its own way, it did tend to get a bit stuffy at times. This is a brilliantly accessible, entertaining and well made podcast that will have something for anyone with even a passing interest in the more leftfield subjects.

You can get Some Other Sphere here:

someothersphere.podbean.com

Or wherever you get your podcasts.

O Trawlerman. O Judge

The Silt Verses review

Production company – Rusty Quill

Rating –

The Silt Verses logo

I usually have some idea of what I’m getting myself into when I subscribe to a podcast. It’ll be recommended by a friend, or I’ll hear an interview on another podcast. I went into this one completely blind. The name sounded interesting, but I honestly don’t remember hearing anything about it at all. This made for a rather interesting experience, and I’ll tell you all about it here.

So what’s it about?

The Silt Verses is a rather “folk horrory” series. At first it seems to be set in an indeterminate country in an indeterminate timeline. At a guess, it’s America at some point in an alternate present or future. I’m only guessing that because of the voice actors, and the fact that they have modern tech like mobile phones. These are details that are almost irrelevant though. The point of the story is the sheer weirdness of the events. There are strange religions, odd people and sinister antagonists. Did I mention strange religions? There are LOTS of strange religions.

The story follows pilgrim Carpenter and her young partner Faulkner. They follow the faith of The Trawlerman, a river god of water and silt. Carpenter’s grandmother was highly regarded in the faith, and Carpenter has that same ego so beloved of people who trace a lineage back to something important. 

As their voyage continues they meet many allies and enemies. There are strange symbols carved everywhere, and horrific creatures lurking in places both magical and mundane.

The pagan ways of the populace are pitched against followers of The Saint Electric and similar deities, truly modern gods for the technological age. Everywhere they go they meet people who follow different gods, and there are gods of everything.

Is it any good?

On the whole, yes. There are a few niggles here and there that stop it being a true “five brainer”. My main problem is that whilst the acting is top notch on the whole, there are a few cast members who let the rest down. There are also parts of the story where it is obvious the cast were recording at different times, and on different equipment. You can hear the cuts in the audio and this really distracts, particularly on headphones.

As the first series progresses, I found myself enjoying the exposition episodes more than the main thread. Don’t get me wrong, the main story is great, but there’s only so much bickering I can take. I get it, the young one thinks the old one is out of touch and the old one thinks the young one is an idiot. That’s life. The backstories though are so brilliantly written, particularly Paige’s corporate history. That is like an episode of Black Mirror.

As I have said in past reviews, the term “Lovecraftian” gets bandied about a lot nowadays, and is a badge usually hung on anything that is a bit weird. I think this podcast truly is Lovecraftian though. The whole thing has a dreamlike quality that is simply delightful, due in part to the ambiguity of the setting. The only thing we have to go on as far as dating is that it takes place “after the last great religious war”. I also loved the episode about the god of hunger. That was a nice, ambiguous concept that offered a nice (albeit no less gruesome) contrast to the more physical horrors encountered in the story.

Final thoughts

When I first started this review many months ago, it was a three brain show. At that point it was nothing more than a title and a rating. I recently revisited it to refresh my memory as to why I gave such a low rating and decided it was worth five brains. Taking everything into consideration though, it is a solid four.

If you like Neil Gaiman, H.P. Lovecraft, or Charlie Brooker, then you will love this show.

You can get The Silt Verses here:

https://www.thesiltverses.com/

Or wherever you get your podcasts

Campfire tales of terror

The Historical Natives review

Rating –

The Historical Natives logo

I first heard of this show whilst listening to a podcast about the awful stories of residential schools of Canada. Whereas that show was about the more corporeal type of awful monster, this show is very much folklore based. After sitting patiently in my “unplayed” list of podcasts, I decided it was time to do The Historical Natives revie

Now the more hawk-eyed among you may think that the low score you see above is an indicator of a bad podcast (as it usually is). Please read on though, and let me explain my decision.

So what’s it about?

The Historical Natives is a folklore podcast in the vein of Uncanny Japan. Each bitesize episode covers a different creature from first nation folklore. These run from the well known (Sasquatch and the Wendigo), to the equally terrifying, though less well known Walking Sam or the Stick Indians. These creatures are not exclusive to single tribes either, but are known by many names and descriptions across the entire continent. A prime example here would be the sasquatch.

The hosts are MacKenzie Taylor and Josef Stafford, two self confessed, albeit recently converted horror fanatics who grew up in a small village in the wilds of BC. The strange thing was, it wasn’t even a “true” horror film that sparked this journey off, but Wayans brothers spoof Scary Movie. I’m not gatekeeper enough to care how people get into horror though, it’s the destination not the journey that’s important.

The second half of each episode gets a story written by Josef on the aforementioned creature. It is also is a language lesson of sorts where the hosts teach you a new word from the relevant dialect of the tribe featured in the episode.

Is it any good?

It could be very good, easily as good as Uncanny Japan, but it is ultimately let down by the hosts’ inexperience. Mackenzie and Josef started this show using a grant from a business initiative for First Nations people. This is a great idea, because sometimes (as it is here) there are people capable of producing great content who wouldn’t normally get a chance.

Having a microphone and a means to upload audio is only half the story though. The room they record in is not really suitable for the job. Some heavy blankets hung around the place would probably help no end. Unfortunately it sounds like they are sitting in a kitchen, recording the podcast to a mobile phone.

Also you can really tell the whole thing is written down first. There is nothing inherently wrong with this, but the times where they try to make it sound like a conversation, particularly in episode 1, gives the impression of a school exam where you have to write dialogue for a presentation. I would guess that English might not be their first language or that their reading skills just aren’t brilliant. There are times when they stumble over words as they read them.

I’m really trying hard not to be patronising or presumptuous here. I have great patience listening to people speak, and I’m happy to ignore these hurdles to get to the story underneath any linguistic problems or equipment issues.

Final thoughts

You really should give this one a go. Try your best to ignore the shortcomings and you’ll find a really interesting series. Ultimately I feel I may have started this show too late. The website is no longer live and there is no real social media presence any more. This is a great shame because with some work this could be a brilliant show. Their culture is so rich with stories that it’s our loss if they don’t continue.

So “migwetch” Kenzie and Josef. I hope you get the time in future for more episodes.

Usually at this point I give you a link to the website where you can find the episodes. Unfortunately though, because the website is down, you’ll just have to search your podcatcher for episodes.

And the winner is!

Trophy pic

December 2nd marked the 1st anniversary of me launching this blog. In a rather preemptive strike on the traditional end of year lists that will invariably clog up all your timelines in a few weeks, I thought I’d get in with my rather unofficial awards celebrating the best (in my opinion) podcasts you can get. So, ladies and gentlemen, let me introduce the first annual podcastgeek awards ceremony!

Some shows I will have reviewed, and I’ll be adding links to the reviews where available. Others will be reviewed as soon as I get round to it. Each category will have a shortlist of five entries in no special order apart from how they spring to mind. At the end of each shortlist we will have the winners. I hope you have the patience to read all the way through. It shouldn’t take too long!

Now, there may well be some glaring omissions, especially if you’ve been following this blog for a while, but seeing as this will be an annual event, there is always next year, and I promise no series will win more than once.

The drinks are flowing here at the podcastgeek enormodome and the guests are waiting with bated breath to see who takes the gongs home. So without further ado, I’ll roll out the red carpet as the spotlights rake the night sky, put on my best bib and tucker and heap praise on a multitude of shows. DRUMROLL PLEASE!

Best fiction podcast

This was a tough one, because the entire shortlist is excellent, ultimately though, the result will come as no surprise to anyone who’s read my reviews.

The winner is THE MAGNUS ARCHIVES!

Magnus Archives Logo

Best true crime podcast

  • Hunting Warhead
  • The Lazarus Heist
  • Death In Ice Valley
  • Deep Cover
  • The World’s Greatest Con

Another tough one. Another 5 incredible shows, but there’s only one winner tonight. This podcast won just for the fact that there is some resolution to the crimes, and the fact that there are no real trigger warnings.

The winner is THE WORLD’S GREATEST CON!

World's Greatest Con logo

Best gaming/geek culture podcast

I had originally intended to spend a month or so only reviewing this rather niche area of the podcastverse, but I didn’t want to lose either of my regular subscribers, so I decided against it. Anyway, these are five very worthy podcasts, but for the sheer range of subject matter there can be only one (as the highlander would say).

The winner is HYPNOGORIA.

Hypnogoria Logo

Best science podcast

Originally I avoided science podcasts, thinking they would be stuffy and boring (despite having an interest in science). How wrong I was. The podcasts here are all very accessible and very entertaining.

The winner is BIG PICTURE SCIENCE.

Big Picture Science logo

Best comedy podcast

Over the years, I have listened to plenty of “comedy” podcasts that are as funny as standing on a plug. The shortlist here though are all very, very funny indeed. That said, in much the same way the The Magnus Archives was a rather predictable win, so is this. This one is a very sweary win “fae Dougie, Lee and John the dug”.

The winner is A SCOTTISH PODCAST.

A Scottish Podcast logo

Best paranormal/folklore podcast

I could have happily had four of Danny Robins’ podcasts and one other to make up the numbers, but that wouldn’t be fair, especially with so many interesting paranormal and folklore podcasts out there. The winner of this category really takes top spot, like hypnogoria, for the sheer breadth of subject matter. This really is a great series.

The winner is BONE AND SICKLE.

Bone And Sickle logo

Best factual podcast

Possibly the hardest category to judge, due to the catch-all nature of the title. Again, the shortlist entries are all worthy of your time, and I recommend you check them all out. The contrarian in me has decided though that it has to be heroic.

The winner is HOW TO BURN A MILLION QUID.

How To Burn A MIllion Quid logo

Phew, that’s a lot of podcasts isn’t it? And I’ve obviously done a load of listening. That is only a small selection of the podcasts that I’ve pumped into my brain over the last few years. If the best idea is to “write about what you know”, you can see why I started writing about podcasts can’t you?

“Ha! Mr podcastgeek” I hear you scoff. “Why don’t you get a life?”

In response I will click my fingers and out of the shadows a group of no-necked toughs in suits will have these hecklers ejected from the venue.

We have had some great shows mentioned this year, and despite missing out on a win, I really need to give an honourable mention to The Good Friends Of Jackson Elias. When I posted my review of that podcast, it had so many shares and comments, it is BY FAR the most popular post I’ve written. So thank you to all the Call Of Cthulhu and Chaosium fans who took the time to help grow my blog. It is greatly appreciated.

This ol’ Blumhouse

Production company – Grim & Mild/ Blumhouse

Rating –

This was probably my first introduction to Aaron Mahnke podcasts when the first series came out two years ago. Almost immediately though, I also found Haunted Road, and realised that there were some pretty big shows in the Grim & Mild camp. Series two was last year, and season 3 is scheduled for this year. It’ll be interesting to see where they go. The title of this series is also apt for this time of year, so it gets slotted in nicely here.

So what’s it about?

13 Days Of Halloween is a horror anthology podcast, with each season being completely different to the last so I think to make life easier, I’ll break this up into two parts.

Season 1 is an Amicus style portmanteau story that sees a voiceless stranger (possibly meant to be you, the listener?) “You” arrive at the sprawling and spooky Hawthorne Manor. You are met at the gate by The Caretaker, played by the outstanding Keegan-Michael Key. A talented actor, you may recognise him from the sketch show Key and Peele, or from his film roles. The caretaker guides you round the house where you meet the residents. Each episode takes place in a different room. Are the people you meet there real, or ghosts, or figments of your imagination?

The story unfolds like a puzzle as the motivation of the caretaker becomes apparent. But what will be the outcome? The many threads of the present weave with the many elements of backstory to create a very expansive universe and a gripping story indeed.

Season 2 takes a different path. This is more like a regular horror series. The main character now has a voice, and the setting has changed (and expanded) to encompass a whole town. In this case, the wonderfully named Direbrook, a sleepy fishing village in New England.

This has more of a folk horror/Lovecraftian feel, the quaintness of the setting offset somewhat by the strange greetings used by the locals and the veiled warnings to the main character. I said this was more folk horror, and like Midommar or The Wicker man, you have a feeling early on that there will be a sinister climax to it all.

A nameless woman regains consciousness on a beach, and is found by an older woman and local, known as “Mother”. As the series progresses, this duo explore the town and amongst the standalone stories (as in series 1) are clues that reveal the identity and reason for the unnamed woman to be here. The Lovecraftian elements develop quite early on, with similarities to stories like The Shadow Over Insmouth, and even films like In The Mouth Of Madness.

Is it any good?

Season 1 was very good in its own way. As I said earlier, it is reminiscent of the 70s movies by Amicus, in particular it reminds me of the film Asylum. Keegan Michael-Key is his usual eccentric self, and seems to be channeling Tim Curry from Clue. This in itself is no bad thing, although it does grate a bit during the higher camp moments.

Season 2 is certainly bigger, although maybe not better. As I said, the protagonist now has a voice. This is something that seems a tad redundant, because she hardly ever says a word. As in season 1, the protagonist is guided through the story, this time by the mysterious “Mother”.

I’m currently listening to this season again, because despite finishing it relatively recently, I can’t actually remember anything about it past episode 2. I think that says a lot about this show, which is a shame.

Final thoughts

This is something of a mixed bag. Having the production clout of Blumhouse and Grim & Mild sets this head and shoulders above lower budget productions, but ultimately this is a show that leaves me wanting. On paper this should be my ultimate podcast, one that would have my “brain” rating increase to 6 or 7, but it misses the mark somehow.

Now that season 3 is almost halfway through, I’ll give it a go. Hopefully third time’s a charm.

You can get 13 days of Halloween here:

https://www.grimandmild.com/13days

Or wherever you get your podcasts

Buddha, Coulda, Shoulda

The Subjective Truth review

Production company – Good Pointe

Rating –

The Subjective Truth logo

I found this through the other Good Pointe show Two Flat Earthers Kidnap A Freemason. Honestly, I was expecting something similar. This was no light-hearted satire though, but a decidedly darker (though no less entertaining) drama. So join me as we head off in search of Buddha Kline.

So what’s it about?

Amateur treasure hunter team Buddha Kline and his wife Amy are on the trail of the legendary Fenn Treasure. They get split up and Amy makes it back, but Buddha has vanished.

The series follows podcaster and journalist Graham Anderson as she tracks the ever cooling case. She meets Buddha’s family and friends, and a whole cast of strange characters along the way.

Pretty soon the strange phenomena that seem to follow the legendary treasure and the town of Taos, New Mexico start to appear and things get very weird indeed.

Is it any good?

It’s great. Earlier on in the series, I was giving some serious thought to scoring it lower. I think it dropped to about a three brain rating at one point and it was in danger of making it on to my end of year “also ran” list. Ultimately, it ended up captivating me though. The acting isn’t great across the board, but really, that didn’t matter. It’s very easy to get fully absorbed into the story and any niggles are soon forgotten.

As I said in the intro, seeing as this is a Good Pointe podcast, I was expecting something else (this was rather presumptuous of me, I’ve only listened to one other of their shows). This series is more like the alternate reality mindf*ck of the excellent PRA shows Rabbits or Tanis. The world building is amazing, and the adverts are so well observed that they could easily exist.

As the series progresses, little nuggets of existing urban legends, folklore and creepypasta are thrown in. These are sometimes so subtle in the main story arc that it’s almost “blink and you’ll miss it”. I loved the inclusion of the Three Kings ritual and the Polybius arcade machine in particular, even though the latter was a touch reminiscent of the Rabbits podcast.

There are also later “bonus episodes” that fill out the mythos and give occasional comic relief (whether intentionally or not). Sorry, but the mattress phone call was funny no matter what you say!

This is also one podcast that could have carried the odd trigger warning here and there (I can’t believe I just wrote that), trigger warnings tend to bring me out in hives. The episode that dealt with the “reboots” in depth was heartbreaking. Coming from someone with skin thicker than a rhino with psoriasis, that’s really saying something.

There’s also some pathos here as the series reaches its climax. Graham’s past catches up with her somewhat and what she experiences is also rather harrowing, it’s also a great portrayal of how people in the public eye get treated (or so we’re told). It’s the sections like these that set it apart from the aforementioned PRA podcasts and set this one on a true path of its own.

Final thoughts

The problem with my listening habits is that because I’m working my day job and listening at the same time, I can miss certain details. That’s entirely my fault. This series is one that I’ll be returning to immediately for another run through. I think there’s a very important point I may have missed at the end that was a big twist. It won’t affect the score any. It can’t go higher than a five brain rating!

Are there better podcasts out there? Yes. But don’t let that put you off. This is an outstanding series I’ve come to love, and I’m almost ashamed of myself for almost writing it off after the first two episodes. Do yourself a favour and subscribe immediately. You won’t be disappointed.

You can get The Subjective Truth here:

https://thesubjectivetruth.libsyn.com/

Or wherever you get your podcasts

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